Name: JLG / JLG
Director: Jean-Luc Godard
Released: 1994
Duration: 1 h 2 min
Cast: Jean-Luc Godard

Freebox - VF - SD

Freebox - VF - HD

Jean-Luc Godard

Godard (Blues)

Cinéma Cinémas

Jean-Luc Godard en 9 minutes

Blow up - ARTE

Les Génériques de Jean-Luc Godard

Quand le cinéma cite Godard

Jean-Luc Godard par Thierry Jousse

Top 5 musical Jean-Luc Godard

Cinéma Cinémas 06/02/1985 : Godard (Blues)

Blow up - ARTE : Jean-Luc Godard en 9 minutes

Jean-Luc Godard&#x27;s self portrait on a background of film excerpts, commentaries and silence. He talks of his memories, his environment, his inner life and his understanding of the world.

JLG / JLG

french - SME

Français

VF - HD

VF - SD

Corinne Marchand

Antoine Bourseiller

Dorothée Blank

Dominique Davray

Loye Payen

José Luis de Vilallonga

Sami Frey

Anna Karina

Eddie Constantine

Michel Legrand

Pop singer Cl&eacute;o is worried while awaiting results of her biopsy. During an hour and a half, walking the streets of Paris and talking in caf&eacute;s, Cl&eacute;o comes to terms with her selfishness, finding peace before the results come back.

Nouvelle Vague

Cleo from 5 to 7

english

Deutsch

Louisa Colpeyn

Georges Staquet

Michel Delahaye

Chantal Darget

Danièle Girard

Claude Brasseur

Odile tells her friends, Frantz and Arthur, how her uncle cheating the tax authorities hid an important amount of money. Frantz and Arthur decide to steal it. But things backfire and they only end up with a small amount. Arthur is killed, the uncle takes back his money while Frantz leaves with Odile for South America.

Band of Outsiders

Michel Piccoli

Brigitte Bardot

Jack Palance

Giorgia Moll

Linda Veras

Fritz Lang

Screenwriter Paul Javal&#x27;s marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.

Contempt

 Le Mépris

OV + STFR - HD

Roger Hanin

Daniel Boulanger

Jean Seberg

Henri-Jacques Huet

 Van Doude

Michel Fabre

Jean-Pierre Melville

Jean-Paul Belmondo

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.

Breathless

Sabine Azéma

Serge Daney

Julie Delpy

Jean-Luc Godard does not propose a chronological history of cinema but rather a double exploration, a journey through the Twentieth Century history, in the country of images and an exploration of the creation of Godard himself, a selfportrait of the director. This is the story of the emotions created by cinema and the story of the loneliness of the creator. With excerpts of famous movies, Godard shows how cinema must struggle against photography, TV and literature to reproduce the real. Stories always unfinished and yet passionate for, as Godard says, &quot;we must burn films, burn them with inner fire&quot;.

Histoire(s) du cinéma : chapitre 2

Anny Duperey

Juliet Berto

Marina Vlady

Roger Montsoret

Raoul Levy

Jean Narboni

Héléna Bielicie

Claude Miller

A day in the life of a Parisian housewife/prostitute, interspersed with musings on the Vietnam War and other contemporary issues.

Two or Three Things I Know About Her

OV - HD

OV - SD

Alexandre Rignault

Sandrine Battistella

Pierre Oudrey

An analysis of the power relations in an ordinary family.

Number Two

Jean-Claude Brialy

Francoise Prévost

François Maistre

Betty Schneider

Giani Esposito

Daniel Crohem

Jacques Demy

Claude Chabrol

Jacques Rivette provocative directorial debut follows a young literature student who befriends the members of a group of twenty-something intellectuals in Paris, united by the apparent suicide of an acquaintance. This mystery film depicts the bohemian Parisian life in the late 1950s, framed in a lingering post&ndash;World War II disillusionment while evincing the fascination with theatrical performance and conspiracy.

Paris Belongs to Us

Godard looks into the Bosnia conflict in the early 1990&#x27;s.

Je vous salue, Sarajevo

Anne-marie Miéville

Essay on the role of the arts in the late 20th century commissioned by MoMA.

The Old Place

Jean Lescot

Davide Tonelli

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard&#x27;s film Le M&eacute;pris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers&#x27; valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Paparazzi

FR - HD 

Jacques Rozier filmed this documentary on the set of Jean-Luc Godard&#x27;s film &quot;Contempt&quot; (Le M&eacute;pris) during location shooting on the island of Capri, and he interviews Godard, star Brigitte Bardot, and the other stars, and captures the making of the film. Most of the footage shot focused on the annoyances of the then-new phenomenon of paparazzi, who tried anything they could to sneak onto the set to take pictures of Bardot; that footage, which included interviews with an annoyed Godard and a perplexed Bardot, was removed to be made into a separate documentary called &quot;Paparazzi&quot;.

Le Parti des choses : Bardot et Godard

Danielle Delorme

A subtitle warns, &quot;Beware of dark sunglasses.&quot; Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river&#x27;s edge, then watches in horror as she&#x27;s knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

The Fiancés of the Bridge Mac Donald

SD - FR

&ldquo;I would like to slow down, film what we don&#x27;t usually see, I&#x27;m going to try to show you that on a video cassette, not slow down exactly, a little to break down this past in the moment where it makes up the present of the characters. &raquo; (JLG, letter no. 1 in advance on receipts, 1979)

Script of Every Man for Himself

FR - SD

Isabelle Huppert

Jerzy Radziwilowicz

László Szabó

Hanna Schygulla

Hommage an Jean-Luc Godard

Piccoli Trois heures du mat...

C’est quoi Isabelle Huppert ?

Blow up – ARTE

Cinéma Cinémas 18/11/1986 : Piccoli Trois heures du mat...

Blow up - ARTE : C’est quoi Isabelle Huppert ?

In a provincial factory, a war of attrition takes place between the manager and a female worker who wants to set up a union group. At the local hotel, a similar confrontation opposes the local population and a film crew.

Passion

Jacques Dutronc

Roland Amstutz

Fred Personne

Anna Baldaccini

Cécile Tanner

Nathalie Baye

JLG / GY : Entretien avec Gabriel Yared (compositeur)

4 entretiens JLG

JLG / IH : Entretien avec Isabelle Huppert

JLG / NB : Entretien avec Nathalie Baye

JLG / RB : Entretien avec Renato Berta (directeur photo)

Pascale Ferran

Jacques Dutronc, à part ça... la nuit, je m'ennuie...

Portrait d'Isabelle Huppert en trois films

Ciné regards

C'est quoi Isabelle Huppert ?

Isabelle Huppert en musiques

Cinéma Cinémas 14/04/1982: Jacques Dutronc, à part ça... la nuit, je m'ennuie...

Ciné regards 14/03/1981 : Portrait d'Isabelle Huppert en trois films

Denise Rimbaud leaves her husband, her job and her city to go live in the country. Paul Godard, a TV producer, is afraid of leaving the city and afraid of solitude since Denise has left. Isabelle has left the country to become a prostitute in town. The imaginary world, fear and commerce in each character&#x27;s life are the three movements of a film ending with a musical movement.

Every Man for Himself

Jean Bouise

Lydia Andrei

Laurence Côte

Jean-Michel Iribarren

Luc Moullet

Pierrot le fou en 8 minutes

Godard blends elements of literature, cinema and other artistic medias from different historical periods in order to make a stance on how words can be subverted and manipulated to many different contexts, sometimes bearing a similar significance to the original material or even creating an alternate context. That&#x27;s &quot;The Power of Speech&quot;.

The Power of Speech

Lang / Godard 1965

C'est quoi Anna Karina ?

Cinéma Cinémas 07/11/1984: Lang / Godard 1965 (Remontage de l'émission Cinéastes de notre temps 15/03/1967: Le dinosaure et le bébé)

Blow Up - ARTE : C'est quoi Anna Karina ?

Alain Delon

Christophe Odent

Domiziana Giordano

Jacques Dacqmine

Laurence Guerre

Laure Killing

Brigitte Marvine

Joseph Lisbona

Violaine Barret

Composed entirely by literary quotations from many different sources and from several historical periods, Godard&#x27;s film works as an allegory on film. The loose narrative tells about a drifter found by a rich woman who soon falls in love with him. A drowning accident takes place and the drifter dies but some time later, he reappears in the woman&#x27;s life looking for a job. Or could it be the man&#x27;s twin brother?&nbsp;

New Wave

Raymond Devos

Dirk Sanders

Graziella Galvani

Aïcha Abidir

Samuel Fuller

Worum geht's bei Anna Karina ?

Worum geht's bei Jean-Paul Belmondo ?

Alain Bergala à propos de Pierrot le fou

Les Yeux dits

Belmondo dans le vent

JT 20h

Festival de Venise : Jean-Luc Godard

C'est quoi Jean-Paul Belmondo ?

Cinéma Cinémas 07/11/1984: Lang / Godard 1965 (Remontage de l'émission Cinéastes de notre temps 15/03/1967: Le Dinosaure et le bébé)

JT 20h 18/06/1965 : Belmondo dans le vent

	JT 20h 02/09/1965 : Festival de Venise Jean-Luc Godard

BLOW UP - Arte : C'est quoi Jean-Paul Belmondo ?

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

JLG / JLG

The film"s page

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