Florence Carala and her lover, Julien Tavernier, supervisor of her husband's businesses, have decided to kill him and then simulate a suicide. Julien finds himself stuck into the elevator trying to erase a compromising piece of evidence. Meanwhile, Louis has stolen Julien's car to show off in front of his girlfriend but while driving, he kills two Germans.

Jeanne Tournier, who is married to a press baron (Henri) and is the mother of a little girl, is bored in her château near Dijon. She frequently goes to Paris to visit her girlfriend Maggy and her lover Raoul. When her car breaks down, she meets Bernard and falls in love with him.

A wealthy and bored woman is witness of a murder in affection and meets another witness. She asks him about the history of the victim and falls in love with him.

Based on the novel by Henri-Pierre Roche, this film is about two men, two artists, one of whom is Austrian, the other French, and their love for the same woman over a period of twenty years. This pure love triangle is interrupted by the Great War, but becomes even stronger after it, only to fade with Jim and Catherine’s deaths in the early 30s.

A raw Welsh novelist in Venice is humiliated by a money-loving Frenchwoman who erotically ensnares him.

A sophisticated and self-assured woman from Paris joins a middle-class rural estate as a maid and causes quite a stir among the variously uptight, perverse and violent inhabitants.

In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife. 

In a heavy atmosphere, the young and charming sailor Querelle lands in Brest. The harbor becomes the stage for a morbidly fascinating game where love-hate relationships thrive, with Querelle as both game-master and pawn. Inspired by Jean Genet's work, "Querelle de Brest", the film is as bizarre and spell-binding as the novel.

A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

Sarah, an actress nearing 40, has invited the woman who has been her best friend for 16 years and two younger women to her vacation retreat in Provence. There are the simple pleasures of lounging in adjacent hammocks, the sun, the food, conversations about men. This is prologue for what happened a year ago in Paris with a man Sarah has long taken for granted as a platonic friend. She had just finished a film, also finishing her liaison with the director, and was about to get an award and start work on a new film and begin a romance with a German writer.

In the summer of 1939, 13-year-old Marie goes with her parents to visit her grandmother in a small town near Avignon. Although rumors of war reach the countryside, it's an idyllic place, and Marie's parents are constantly making love. Surrounded by sexual frankness, Marie fancies herself a woman and develops a crush on Alexander, the town's young Jewish doctor, and is despondent when he treats her like a child. When her father abruptly leaves for a few weeks to help with a relative's harvest, her mother and the doctor disappear into the woods for hours at a time. Marie tries to spy on them. When Papa returns, what will the family and the doctor do?

À l’été 1983, Jeanne Moreau part à la rencontre de Lillian Gish, vedette du cinéma muet américain. Cette dernière se confie sur sa carrière, à commencer par son rôle dans le tout premier blockbuster Hollywoodien de l’histoire, Birth of a Nation de D.W Griffith.

Nyúl Béla, the insignificant teacher of Latin, father of four, writes a study on Hannibal, which states that the war lord became the victim of the revolution in Carthago. A journalist appears at Nyúls', he makes an interview, the family is happy: the bread-and-jam age is over. In the Parliament however, the extreme right wing makes a scandal on the pretext of the paper and Nyúl Béla is dismissed. The teacher pays a visit to his former classmate, the right wing representative Muray. He promises help, but in a great assembly in the Amphiteatrum he already heats the mob against Nyúl. The teacher publicly "becomes converted". He is taken aback by the bursting out enthusiasm of the mob, and falling from the cornice he crashes to his death.

The lyrical, impressionist film takes place in Óbuda in the thirties. The smart, unemployed Pettersen meets the immaculately clean worker girl. They spend several nights together in the little hut of the man built of trash. Vera works in a laundry, but all her wish is to become a dancer. The boss, Weiszhaupt, notices the girl. The defenceless Vera leaves Pettersen for the promise of a safe future. When the man gets himself a job in the laundry as well, he sees her again as Weiszhaupt's lover. True love arises in Vera, but now Pettersen refuses her.

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain. But during his last secret visit he leaves his gloves there, then wakes up the Barlay-house in the night, drunken and noisy. Therefore, the doctor asks him for a duel. On the day of the dual Barlay is found dead. He has been shot down from behind. Everybody knows who the murderer is, but defending the honour of the uniform is the first priority. The lieutenant's servant's confession is accepted, and the naive Kaál Samu believes Ferdinándy, i.e. that nothing is going to happen to him. Samu continues to believe his master until the moment of his execution. A disgusted lieutenant is discharged, and the regiment moves on to the next town.

The film is a tension-filled parable about the power of order, cruelty and submissive behaviour. A young man arrives at a falconers' plant for summer exercise. The plant stands in the middle of barren land, secluded from everything and managed by the fanatic Lilik, keeping rigorous discipline. Besides him and the falconers only Teréz lives there. The Boy learns the tasks at the plant and is captivated by the elementary force and beauty of the flight of the falcons. Yet he is more and more abhorred by the spiritual terror and the barbaric order used by Lilik to subdue his men. He endures the man-probing hunt but releases the captured falcon in the end. Teréz and the Boy are attracted to each other but she is unable to break out. After a mighty, devastating storm, the Boy packs his belongings and leaves. The others stay.

The dying Szindbád, knight of fairy tales, searches for the purpose of life staggering along the border of life an death. He believes to have found beauty in the organically transforming nature, in sensual and culinary pleasures. His memories come to life: photographs that are now brown, withered flowers, yellowish pages of love letters. He sees the row of women who have been dear to his heart; Florentin, Lenke, Fruzsina, the little flower girl and the others. He remembers how the tactful waiter, Vendelin, used to tell about his wife between the bone with marrow and the fried pheasant, and the way he would curse that unknown nobleman, - i.e. himself, Szinbád, - with whom she ran away and who drove her to commit suicide. An autonomous spirit, and everlasting searching for perfection makes it impossible for Szinbád to find peace in a single woman's love, and his loneliness is dissolved only at the table laid by the motherly Majmunka. His last journey takes him to the church. In the spiritedness of the organist, Angyal, Szinbád experiences the completeness of life, and in that moment he reaches true death.

The film is about the possible attitudes one can assume towards tyranny and dictatorship in the modern man's perspective. Oreste and Elektreia stand up against oppression of freedom in the name of justice, law, and revolution. On the day of Aegistos' accession to the throne - and which is supposed to be the day of telling the truth - people remain silent. The "cracked-brained" is the only one who instigates, waiting desperately for Oreste. Her brother arrives to take vengeance for his father, and they kill each other to rise later as phoenix birds again and again wherever freedom is wanted. A red colour helicopter takes them there.

Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.

In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An old woman is getting close to the cut-off age, and we follow her last days with her family.

Brigitte and Colette are sisters who live together. Brigitte, the older sister, suffers a breakdown. Colette nurses her but is bored. Then she meets Joe.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to murder him at some unspecified time in the future. But almost immediately he meets and falls in love with Margaret, a flower-seller, which makes Henri realise that his life has some meaning after all. But when he goes back to the bar to cancel the contract, he finds it has been demolished - and there's no way he can get in touch with the killer...

A restless retired woman teams up with her deceased neighbor's maid to seek out a man who has a secret connection to her past life as a farm owner at the foothill of Mount Tabu in Africa.

Une troupe de kabuki arrive dans un petit port du sud du Japon. L’acteur principal, Komajuro, a connu une aventure des années auparavant avec une femme de l’endroit, avec laquelle il a eu un fils, Kiyoshi. La maîtresse de Komajuro découvre son secret et envoie une actrice de la troupe, Kayo, le séduire.

Three Swedish stage actresses give differing interpretations of the classic Aristophanes play "Lysistrata."

Behind the scenes of the theater, while the last performance has just ended, the comedian returns to his box.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Mai 1968 Paris France. 8 millions de Français sont en grève. La Sorbonne est prise d'assaut, les étudiants occupent les locaux universitaires où ils imposent un débat social et remettent en question les institutions conventionnelles.

Quel rôle joue le cinéma dans ce contexte ? Comment s’engagent les cinéastes dans le contexte d'une politique culturelle à redéfinir ? Des étudiants en cinéma, des lycéens, des ouvriers — notamment des usines Citroën —, mais aussi des réalisateurs confirmés comme Jean-Luc Godard, participent dans ce film aux débats et aux affrontements des collectifs de cinéma nés en mai 68. Ce n'est qu’un début, continuons le combat - Le film comme arme politique est un document unique de cette époque.

Dans son documentaire …ce qui importe, c’est de le transformer, la réalisatrice s'intéresse aux ouvrières de l'industrie métallurgique à Francfort, Wetzlar et Mannheim. Elle rend visible la manière dont le travail en usine et le travail familial se conditionnent mutuellement en tant que lieux d'exploitation qu'il ne suffit pas d'interpréter, mais qu'il faut fondamentalement changer. Ce sont les femmes elles-mêmes qui s'expriment dans le film et qui discutent entre elles des possibilités et conditions de changement. "Le tournage était extrêmement compliqué et la direction des entreprises généralement peu intéressée à rendre publics les conditions de travail catastrophiques des femmes. Il fallait une sorte de "Wallraffiade" féminine* pour obtenir les autorisations de tournage en faisant semblant d'aborder des sujets supposés et d'autres intentions".

"Le métier comporte ses joies pour ceux qui aiment la mer, pour ceux qui l’aiment jusqu’à l’exclusion de toute autre possibilité de joie naturelle. Patauger jour et nuit par n’importe quel temps même où l’on sait ne rien trouver, de l’eau au nombril ou aux chevilles, fouiller partout, algue ou pieuvre, s’hypnotiser sur une mare sinistre où tout vous guette alors que rien n’y vit — extase de n’importe quel intoxiqué y compris le chien de chasse kilométrant en tous sens avec un plaisir infini le champ dont chaque repli cache, au plus, une vieille patate."

Jean Painlevé, "Les Pieds dans l’Eau", Voilà, 4 mai 1935.

Ce programme réunit 5 courts métrages réalisés par Jean Painlevé : Le Vampire, La Pieuvre, L'Hippocampe, Comment naissent les méduses, Acéra ou le bal des sorcières.

Belfast, 12 years ago, a family movie filmed at the beach. Paris, October 1994 : the desire to find this family again. A trip to Northern Ireland the day after the cease-fire. Chairman, the little girl in the movie, is now 16.

A close-up of Berlin coal carriers from Prenzlauer Berg. No portrayal of worker heroes or progress here. Instead, bright, deeply-felt sketches of rough men and their resolute woman boss. "Refreshing and new... A beautiful, sometimes whimsical documentation of Berlin workers. A cinematic correction of what, in general, was valued in an East German documentary."

Paul's life story leads to a sign.

Portrait of a man who builds a fantastic house. He comments on the visit with verve and humour and shares his ideas of an erogenous architecture. He tells his father's story, a Spanish refugee, his quest for new social relationships, his ecological struggle, his suffering, his utopia, his life.

Le début de la journée de travail d'un boulanger et de son aide jusqu'au sortir de la première fournée.

The story of Roland who spent twelve years in prison, escaping frequently and played himself in Jacques Becker's film The Hole. His life story is narrated by himself and his daughter.

Film as a sort of family therapy – an unvarnished chronicle of a divorced mother in West Berlin’s Märkisches Viertel neighbourhood. She talks without reserve about why her family is falling apart, while at the same time discussing her own ambitions.

Zohra, 50 years old, is Algerian. She is employed in the household of a young couple. For the first time in her life, she goes to the beach.

A Sunday in Brussels. The guard is changing, children are playing and people are visiting Cinema Aventure. A short film about boredom that manages to sublimate the everyday, without commentary and usage of exceptional images.

At a marine biology station, a clump of algae reveals polyps, stomachs with limbs, limbs with buds, buds with poison cells. This animal reproduces by buds, which we watch close up in time-lapse images. In another kind of jellyfish, the buds grow inside then live outside for a few days until being on their own. Another produces eggs, sometimes self-fertilized. Some single eggs become buds with colonies. Another clump gathered at low tide consists of filaments of a colony - plumes with poison ends. In images taking 72 hours, we see filaments grow and produce a feeding organ from which a plume emerges. New jellyfish emerge from buds twice a day at set times to form a new colonies.

Underwater photography presents the octopus: breathing, swimming, eating, dying.

In mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like hood spreading like a dervish's cassock. They spin and spin. The film adds musical accompaniment. We watch them mate and secrete eggs: acera are both male and female, and can form chains with other acera in which they simultaneously mate as a male and as a female. The eggs hatch, and the cycle begins again.

Pictures of the Old World is an unquestioned masterpiece of European documentary cinema, with existential radicalism that offers a contrast to the shallowness of hundreds of other documentary films showing images from the outskirts of civilization. The outskirts here are a Slovakian town in the Tatra Mountains. Though censored for 17 years, Dusan Hanáks poetic visual essay is not a political or even social film. It goes to far deeper and more fundamental levels of human experience. Inspired by the photographs of Martin Martincek, the film's power lies in its unusual portraits of people whose raw visual beauty radiates from their very souls. Some, like the village cosmos aficionado or the disabled old man who climbs stairs on his knees, are hard to forget.

Kourou, a young villager, decides to conquer Kinshasa, the capital. But it is easier said than done. In the big city, Kourou finds nothing but odd jobs and throws his life away with prostitutes. One day he is even fired for stealing. The situation seems hopeless but the worm turns the moment when, after entering a bar, Kourou takes a mike in his hands and starts singing.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

Inspired by Robert Flaherty's narrative documentaries, the Jewish ethnologist and filmmaker Friedrich Dalsheim made this expedition film with a fiction plot. The villagers of Bedulu on Bali live in peace and harmony. Only witches and demons threaten their happiness by causing trouble and bringing disease to the village. Even Wajan and Sari can only come together after they have overcome the demonic forces.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

Fictional re-enactments about the early years in Belgium of the director's parents, Jewish immigrants from Poland, and scenes taken in modern Brussels in this elliptical experimental feature.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

A surreal-looking episodic film about the freedom of trying out new lifestyles and dropping out of society. Hans, who lives aimlessly into the day, meets the successful guy Ardy and because he suddenly wants to stop doing nothing, he gets left by his girlfriend Petra …

Bernhard has to drop out of university after an altercation with a neo-Nazi. He falls in love with Johanna, the daughter of a building contractor, and travels to Prague with her. Johanna's father pulls the strings in the background to put his future son-in-law on the right track from his point of view…

Scenes from a marriage in crisis. Karin Hendrich is 30, the mother of a young daughter. Before marrying, she was an interpreter. Her husband, Robert, doesn’t understand why she wants to go back to work. He’s a shipyard engineer and can provide for everything Does he suspect that Karin is cheating on him with Ulrich, one of his freelance colleagues?

Detective Peter Flowers has to deal with Nola, the "most beautiful and corrupt woman in the world"...

Nyúl Béla, the insignificant teacher of Latin, father of four, writes a study on Hannibal, which states that the war lord became the victim of the revolution in Carthago. A journalist appears at Nyúls', he makes an interview, the family is happy: the bread-and-jam age is over. In the Parliament however, the extreme right wing makes a scandal on the pretext of the paper and Nyúl Béla is dismissed. The teacher pays a visit to his former classmate, the right wing representative Muray. He promises help, but in a great assembly in the Amphiteatrum he already heats the mob against Nyúl. The teacher publicly "becomes converted". He is taken aback by the bursting out enthusiasm of the mob, and falling from the cornice he crashes to his death.

The lyrical, impressionist film takes place in Óbuda in the thirties. The smart, unemployed Pettersen meets the immaculately clean worker girl. They spend several nights together in the little hut of the man built of trash. Vera works in a laundry, but all her wish is to become a dancer. The boss, Weiszhaupt, notices the girl. The defenceless Vera leaves Pettersen for the promise of a safe future. When the man gets himself a job in the laundry as well, he sees her again as Weiszhaupt's lover. True love arises in Vera, but now Pettersen refuses her.

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain. But during his last secret visit he leaves his gloves there, then wakes up the Barlay-house in the night, drunken and noisy. Therefore, the doctor asks him for a duel. On the day of the dual Barlay is found dead. He has been shot down from behind. Everybody knows who the murderer is, but defending the honour of the uniform is the first priority. The lieutenant's servant's confession is accepted, and the naive Kaál Samu believes Ferdinándy, i.e. that nothing is going to happen to him. Samu continues to believe his master until the moment of his execution. A disgusted lieutenant is discharged, and the regiment moves on to the next town.

The film is a tension-filled parable about the power of order, cruelty and submissive behaviour. A young man arrives at a falconers' plant for summer exercise. The plant stands in the middle of barren land, secluded from everything and managed by the fanatic Lilik, keeping rigorous discipline. Besides him and the falconers only Teréz lives there. The Boy learns the tasks at the plant and is captivated by the elementary force and beauty of the flight of the falcons. Yet he is more and more abhorred by the spiritual terror and the barbaric order used by Lilik to subdue his men. He endures the man-probing hunt but releases the captured falcon in the end. Teréz and the Boy are attracted to each other but she is unable to break out. After a mighty, devastating storm, the Boy packs his belongings and leaves. The others stay.

The dying Szindbád, knight of fairy tales, searches for the purpose of life staggering along the border of life an death. He believes to have found beauty in the organically transforming nature, in sensual and culinary pleasures. His memories come to life: photographs that are now brown, withered flowers, yellowish pages of love letters. He sees the row of women who have been dear to his heart; Florentin, Lenke, Fruzsina, the little flower girl and the others. He remembers how the tactful waiter, Vendelin, used to tell about his wife between the bone with marrow and the fried pheasant, and the way he would curse that unknown nobleman, - i.e. himself, Szinbád, - with whom she ran away and who drove her to commit suicide. An autonomous spirit, and everlasting searching for perfection makes it impossible for Szinbád to find peace in a single woman's love, and his loneliness is dissolved only at the table laid by the motherly Majmunka. His last journey takes him to the church. In the spiritedness of the organist, Angyal, Szinbád experiences the completeness of life, and in that moment he reaches true death.

The film is about the possible attitudes one can assume towards tyranny and dictatorship in the modern man's perspective. Oreste and Elektreia stand up against oppression of freedom in the name of justice, law, and revolution. On the day of Aegistos' accession to the throne - and which is supposed to be the day of telling the truth - people remain silent. The "cracked-brained" is the only one who instigates, waiting desperately for Oreste. Her brother arrives to take vengeance for his father, and they kill each other to rise later as phoenix birds again and again wherever freedom is wanted. A red colour helicopter takes them there.

Persuaded by the janitor's wife, a lively, but lonesome old woman, who is only attached to the world through her cherished objects and memories, decides to exchange her two-room apartment for a smaller one. For a little while her everyday life is changed. She meets and entertains new people every day. She is in her element when the inquirers swarm into the apartment. After moving in to the tiny and quiet apartment she picked and chose in Buda, she longs to be back in the noisy tenement house.

"Our profession is photography" - sings and advertises Sebő, the herald of a group of travelling photographers, knocking at the doors of village houses. The photographer takes the photos as they have been ordered, the retoucher manages the business, and if people want a rosier picture than the harsh reality of their own faces is he is ready to retouch the photos. And most people choose this option: the photographer is vainly trying to persuade them to choose the true and more telling pictures. Yet, a rich material of the past gets revealed from behind the scenes of the locals' lives: while the retoucher is working on the pictures, the photographer is digging deep in the thirty-odd years old life stories and which "can as well be framed and put on the wall". An old lady, Mrs. Nyerges recalls the tragedy of her husband's murdered daughters, too. The picture taken of the murderous mother turns up as well.

A film of loosely connected episodes and a ballad-like atmosphere records Hungarian peasant life in the fifties and the sixties through the story of young Pásztor Balázs. His innocent father is imprisoned in the fifties and thus Balázs, who wants to be a film director, is not admitted to film academy. He is employed in a co-operative as a land-surveyor. While he is organising a farming centre with his friend, Iliász, a Greek partisan, the local leaders force the men to join the co-operative. The angry women blame the uncompromising Iliász and beat him to death. Balázs is then at a Gypsy camp, where he can see how the authorities of cultural supremacy tread on human rights. He takes shocking photos of the decontamination squad's operation.

The documentarist film depicts how a young weaver girl is trying to find herself and what identity-problems she has. Szőnyi Erzsi, textile-worker, grew up in Fót, the town for neglected children. She puts an advertisement in the papers, trying to find her parents and unexpectedly gets a reply. She visits her mother in Várkút, who is scared of her beautiful and too natural daughter and continues to hide their relationship from her husband. Erzsi, lonesome and depressed by her failure lets things happen to her. She starts a passing affair with the boy she met on the train. She listens to a depraved man who tells her about his dead parents and comforts him. Then, in a club, where the Illés Band is playing she does not resist Gábor's defiant glances, either.

A French-like burlesque about the adventures of a young boy in the first grade of elementary school. He gets acquainted with time, then, accompanied by his father, leaves home to spend his first day at school. On the way there, he meets Zizi, and they become friends. Mischief interests him more than learning to write, but he is not alone by this inclination. His imagination colours reality around him. He is cured from a major disease, makes adventures in social life, learns to know the adult world. He imagines his uncle, whom he does not love and whom he continuously escapes, to be set in prison. A baby is born in the family, and it is much bigger happiness than his excellent marks, only Zizi needs to be comforted because she failed in a subject. But there is no problem because he makes a promise to marry her. When he grows up.

This is the first film of the "Hungarian new wave". A company of young people spend their summer holidays by the Tisza. They are absorbed in sun-bathing and swimming, and more and more of them dive into the depth of the river to collect some mud. None of the young people notices that one of them is no longer with them, that Gabi drowned in the river. The tragedy which happened to their friend forces them to examine their own conscious asking themselves who is responsible, how they relate to the world and each other. They grow into adulthood burdened by the tragedy, their relationships are transformed. Luja and Zoli are willing to face their conscience. Laci finds consolation in abstract principles, while others try to idealise their role.

Seventeen-year-old Jóska is captured by the Soviet in the last days of World War II. He is posted to a soldier lad to help him guard the cowherd. Jóska tries to escape, Kolja keeps him from entering the mined area using his gun. Despite their opposed position and language barrier a friendly relationship is formed between them. They feast on the meat of the exploded cow together and chase girls when Kolja suddenly dies of a former injury. Jóska tries to get to the station dressed in his uniform. Some of the former POWs recognize him and thinking that he was a collaborate they beat him up thoroughly.

When he gets separated from his unit, Laforet (Roger Van Hool) becomes a de facto deserter during 1939 fighting in the French provinces. Most of the story concerns his love affair with a local farmgirl, as he competes for her affection with a refugee from Spain. When he presses her to make a decision between them, the choice doesn't go in his favor. Soon after this he joins up with the Resistance movement.

Oldrich "Fajolo" Fajták, a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová, takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

In this satire on Art under Socialism, a minor musician who plays the humble triangle becomes a tyrannical orchestra director.

This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Lepis, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He loses his beloved, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of cattle from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.

Three adolescent war orphans seclude themselves in an anarchic and playful existence of denial and juvenile joy.

Two ex-soldiers search for stability and love when they return home after World War One.

Des lycéens préparent une manifestation dans un café. Serge, le fils du patron, essaie de se mêler à eux.

On her birthday, Juliette is too sad to be worried about the strange cleaning lady who imitates her every move and lusts after her clothing.

A Sunday in Brussels. The guard is changing, children are playing and people are visiting Cinema Aventure. A short film about boredom that manages to sublimate the everyday, without commentary and usage of exceptional images.

The innocent country Nebelux is accidentally bombarded with the poison gas X-70, designed to keep Asiatics in a lethargic and euphoric state.

The misadventures of Leopold Pavlovsky as he is stuck in transit in New York.

A spectator, a string puppet, applauds the magic tricks of the Butterfly Woman, another string puppet with whom he is in love. Under the force of his applause, the strings that hold him in his place as a spectator give way. Thus free, he runs to the Butterfly Woman in the hope of conquering her and freeing her from her fate.

One Sunday, Marguerite, a young pregnant woman from Rouen, and Mario, a Spanish sailor in transit, meet while waiting for a train.

Down here is the Seventh Suburb where a little girl, Mireille, can't get to sleep in her Sidereal Condominium : she is worried about strange noises and lights.

A country house, some day in November. Silent, in a corner of the garden, a child is waiting."

A “cadavre exquis” on the theme of murder with film material and Topor’s drawings.

4 young people are long time friends. They have a dinner together, which will turn into a mess when they play a game which consists in writing a vow on a little piece of paper to be put into a bottle: they love each other, but they are not able to transcend their loneliness and their selfishness.

A north-African worker is injured on his way to the factory, when he is knocked over by three young middle class men who followed him around in a car.

Lucie is thirtyish, shy and introverted. During a party at friends', she meets Bertrand with whom she falls in love immediately. Longing for true love, she focuses all her desires and expectations on him.

Sandra and Benoît are invited to spend a few days with friends in the south of France. When they eventually find the house, they are surprised to discover that everybody lives as naturally as possible.

Portrait of a man who builds a fantastic house. He comments on the visit with verve and humour and shares his ideas of an erogenous architecture. He tells his father's story, a Spanish refugee, his quest for new social relationships, his ecological struggle, his suffering, his utopia, his life.

Nijinsky, the God of Dance, has been insane for 20 years. His wife, Romola, with the help of Serge Lifar, tries to bring him back to life.

Upon his mother's death, a young man decides to become a priest even though he doesn't believe in God.

An expressionistic interpretation of 'Danse macabre' by Camille Saint-Saëns.

He drives his younger sister into the arms of his fiancée's lover.

Narrator falls in love with a beautiful girl. Unfortunately she isn't alone: five guys follow her every time no matter where she goes - to work, in park or in bed.

A strange young woman lives for a while with a man and brings troubles in his appartment and his life.

The life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

A young man shoots hoops in an empty gym. He misses constantly. At the other end of the court, a young woman arrives and starts warming up. She rarely misses. He's white, she's black. From time to time, she glances at him and smiles. He's fully aware of her presence and of his lack of talent. Is there any way he can impress her? His imagination takes over.

What happens on two faces just before a kiss?

Blanche is a cleaning freak. Colette, after an eventful sleepless night, pays her a visit ...