Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.

An elderly professor's ordered life spins dangerously out of control when he falls for a nightclub singer.

A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.

Berlin, 1974. Grischa and Heinrich are actors, accidentally locked in the rehearsal hall one night. He tries to seduce her; she's puts him off. Later she dumps her husband and sleeps with Heinrich, who ups the ante by suggesting they have a child. She takes him seriously by initiating a journalistic project interviewing working mothers, asking how they balance work and family, delving into their sexual histories. Heinrich sulks when she spends evenings on the project, he's childish. Should she leave him? The story plays out against the backdrop of left-wing political agitation.

Dans son documentaire …ce qui importe, c’est de le transformer, la réalisatrice s'intéresse aux ouvrières de l'industrie métallurgique à Francfort, Wetzlar et Mannheim. Elle rend visible la manière dont le travail en usine et le travail familial se conditionnent mutuellement en tant que lieux d'exploitation qu'il ne suffit pas d'interpréter, mais qu'il faut fondamentalement changer. Ce sont les femmes elles-mêmes qui s'expriment dans le film et qui discutent entre elles des possibilités et conditions de changement. "Le tournage était extrêmement compliqué et la direction des entreprises généralement peu intéressée à rendre publics les conditions de travail catastrophiques des femmes. Il fallait une sorte de "Wallraffiade" féminine* pour obtenir les autorisations de tournage en faisant semblant d'aborder des sujets supposés et d'autres intentions".

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Edda est photographe de presse en RFA, et mère célibataire. Elle peine à concilier vie professionnelle et personnelle, alors qu'une occasion se présente à elle. Avec ses collègues, Edda prépare une exposition de photos sur Berlin. Le jeune mère devra se démener pour obtenir des financements et lutter contre les attitudes élitistes du monde de l'art.

Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character.

Angela and Robert have been married for 10 years and are still very much in love with each other. They give each other complete freedom and form a perfect couple. Their happiness is not disrupted when Robert brings his young friend Claudia home for the weekend.

Film as a sort of family therapy – an unvarnished chronicle of a divorced mother in West Berlin’s Märkisches Viertel neighbourhood. She talks without reserve about why her family is falling apart, while at the same time discussing her own ambitions.

Detective Peter Flowers has to deal with Nola, the "most beautiful and corrupt woman in the world"...

Scenes from a marriage in crisis. Karin Hendrich is 30, the mother of a young daughter. Before marrying, she was an interpreter. Her husband, Robert, doesn’t understand why she wants to go back to work. He’s a shipyard engineer and can provide for everything Does he suspect that Karin is cheating on him with Ulrich, one of his freelance colleagues?

Bernhard has to drop out of university after an altercation with a neo-Nazi. He falls in love with Johanna, the daughter of a building contractor, and travels to Prague with her. Johanna's father pulls the strings in the background to put his future son-in-law on the right track from his point of view…

Daniel accidentally witnesses a man being robbed in the street. After his report to the police doesn't get the attention he had hoped for, he starts looking for an explanation himself and becomes more and more entangled in doubts about his environment and his own actions.

Warning : Purgatory contains images of organs and animal dissections.

A son, in defending Prussia circa 1814 under the thumb of Napoleon, washes away the disgrace of his aristocrat father who had collaborated with the French and caused the deaths of countrymen.

Heinrich George plays Henner who lives with his wife and child on a tugboat, going on the river to Berlin. There he meets the attractive Gescha (Betty Amann), and a story of love, betrayal and sadness ensues.

Inspired by Robert Flaherty's narrative documentaries, the Jewish ethnologist and filmmaker Friedrich Dalsheim made this expedition film with a fiction plot. The villagers of Bedulu on Bali live in peace and harmony. Only witches and demons threaten their happiness by causing trouble and bringing disease to the village. Even Wajan and Sari can only come together after they have overcome the demonic forces.

A young woman takes the train to Berlin. She wants to kill her friend Wolf, a theater actor. When the woman meets him, he tells her about his weird wife.

A surreal-looking episodic film about the freedom of trying out new lifestyles and dropping out of society. Hans, who lives aimlessly into the day, meets the successful guy Ardy and because he suddenly wants to stop doing nothing, he gets left by his girlfriend Petra …